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Matt Sircely is a creative mandolinist, songwriter and independent journalist living in
Port Townsend, Washington. A student of many musical traditions, Sircely also improvises
fluently and enjoys composing songs. Matt performs
swing with Hot Club Sandwich and bluegrass and original songs with the Bitterroots.
At the age of 29, versatility with the mandolin has earned Matt Sircely gigs and guest
appearances with some of the finest acoustic musicians around. Sircely
started as a songwriter, inspired by the history and landscape surrounding his hometown
in Pennsylvania. Sircely was born to a family of journalists in a turn of the 20th century
rail stop of Wycombe, Pennsylvania.
When he was about eight years old, Matt's father let him climb in the backstage scaffolding at the
Philadelphia Folk Festival, and Matt left with the impression
that music could become a career. Soon, Matt found his mother's vinyl relics, left
over from her days as a college radio DJ during the folk revival. After his mother showed
him a few guitar chords, Sircely began writing songs at age thirteen.
By the time he saved enough to buy a mandolin at age 20, Matt was already working
through Hamilton College as a musician playing folk, rock and blues, often with slide
guitar. While studying sustainable development and the seedy secrets of global agricultural
politics, Sircely traveled to Costa Rica, collecting influences and songs along the way. He
then took a job community organizing in Idaho, where he found his first mandolin. Sircely proposed bringing a mandolin to his jazz improvisation class. The professor was surprised, but he agreed.
After graduating in 1998, Sircely moved back to Pennsylvania and secured a daily gig
playing old-time music on the mule barges in Delaware Canal State Park. After learning
old-time fiddle music, he discovered that his ancestors in western Pennsylvania had actually
run a traditional dance hall in the pre-war era. Longing for some serious guidance on his
mandolin technique, Sircely sought out Barry Mitterhoff for lessons in northern New Jersey.
Inspired by a few adventurous friends, Sircely realized that he could leave his hometown
with little more than his instruments to street perform across the country. Suburban sprawl had
rendered his home region less conducive to the simple, creative lifestyle that he sought, so Sircely packed up his F-5 and guitar to traverse the country, eventually settling in
Port Townsend, WA.
On the West Coast, Sircely found swing to be standard jam fare among acoustic musicians at
parties and festivals, so he quickly began to absorb the music. In 2000, he joined Hot Club
Sandwich, a young band of creative individuals who shared a love of Django Reinhardt's music
and the Gypsy jazz it spawned. Operating as a collective, Hot Club Sandwich also incorporates
other influences that members bring into the mix, including Latin American folkloric
traditions. Within two years, the group was performing at some of the early Gypsy jazz
festivals to appear on the West Coast.
In 2004, Sircely teamed up with James Seward, a fellow songwriter who he previously had
worked with in Pennsylvania. The two recorded First Born Son, produced by British punk rock
pioneer Steve Garvey. They toured swing states, organizing voter drives, and taking their
their politically-charged folk songs to independent radio stations. At one benefit in
Philadelphia, Sircely met David Bromberg, who invited him to accompany him in the Concerts for Change
series. Philadelphia's legendary folk DJ Gene Shay, who Sircely had listened to while
growing up, also supported the duo and invited them to perform for the DJ showcase at the
2004 Northeast Regional Folk Alliance.
At the Folk Alliance, Barry Mitterhoff referred Sircely as a potential sub to
clarinetist Margot Leverett and The Klezmer Mountain Boys, comprised of great New York
City pickers, including Marty Confurius, Kenny Kosek and Joe Selly. Sircely performed with the
Klezmer Mountain Boys, playing both klezmer and bluegrass in venues including New York's City
Center and the Kentucky Performing Arts Center.
Back in Port Townsend, Sircely began to play some gigs with master banjoist and songwriter
Danny Barnes, which greatly inspired Matt. In 2004,
when he applied to the first Mandolin Symposium, David Grisman and Mike Marshall hired
Matt on as a teaching assistant. Sircely assisted in arranging "Minor Swing" for a mandolin
ensemble, which he directed alongside Don Stiernberg. For the 2005 Mandolin Symposium,
Sircely wrote copy for the student manual and led the swing jams with Hot Club Sandwich
guitarist Greg Ruby. Sircely and Ruby, guitarist Tracy Bigelow and fiddler Shelby Eicher,
joined David and Samson Grisman for a swing tune in the symposium's final concert.
Recently, Sircely has been combining writing and photography with his love of music. Sircely
absorbed his skills while growing up with a mother who was a writer and a photojournalist
father. He published his first photo at age 12, and wrote for a variety of publications
as he grew older.
In 2005, David Grisman asked him to compile the liner notes for his Tone Poets project,
a historic assembly of 42 musicians, each playing Grisman's mandolin or guitar. In the same year,
Sircely began contributing to the Fretboard Journal and Strings, finding deep inspiration
in researching the lives and work of some his musical heroes like Wade Mainer, Andy
Statman and Juan Reynoso.
Now in 2006, Sircely has formed the Bitterroots, assembling young pickers Jakob Breitbach
on fiddle and Lob Martin on banjo. The Bitterroots perform songs that Sircely has written or
acquired over the years, along with adventurous improvisational approaches to American roots
melodies. Meanwhile, Hot Club Sandwich plans appearances this summer at DjangoFest SF, the
Oregon Country Fair, and a West Coast tour in support of the upcoming release of the
group's third CD.
Matt Sircely also programs the music for the Port Townsend Farmer's Market and
volunteers for the Andy Mackie Music Foundation.
Besides his work with Hot Club Sandwich and the Bitterroots, Matt Sircely has gigged with:
Danny Barnes - always fun to pick with Barnes
David Jacobs-Strain - roots blues, modern songs and grooves
Margot Leverett & the Klezmer Mountain Boys - filling in for Barry Mitterhoff.
Performed bluegrass in NY and klezmer in KY (vice versa too).
Shannon Saunders and the Splinters - Great Canadian songwriter
Peter Seigel - VT songwriter
James Seward - PA Songwriter
Lauren Sheehan - Portland's String Queen
Matt Sircely appeared as a guest with:
Paul Anastasio and the Fire of Tierra Caliente - playing guitar parts in the music of Juan Reynoso
Bobby Black, Mike Dowling and Joel Savoy during the 2006 Port Townsend Slide and Steel Festival
David Bromberg - accompanied him on a benefit in 'o4
David Grisman - at the 2005 mandolin symposium with Tracy Bigelow, Shelby Eicher, Sam Grisman and Greg Ruby
Kitchen Syncopators - clang bang New Orleans style
Mud Bay Jugglers - With HCS at the Fair
Jim Page - the legendary Seattle songwriter
Paperboys - convinced him to move west in '99
Pearl Django - Renowned Seattle Gypsy Jazz Band
Faith Petric - at 92, the fiery folk heroine of the Haight
Joey Pipia - magician/comedian
Smerdvakov Karamazov - at the Moisture Fest
Dusty Rodz and her Handsome Cowboy - "Let's put a cowgirl in the White House"
Greg Ruby - Senior Recital at Cornish College of the Arts
Members of the Savoy Family Cajun Band and Marley's Ghost - a dance at the 2005 Festival of American Fiddle Tunes
Taarka - far-out groovy Portland string thing
Taos Hum - SF jam band
Steve Webber - of the Holy Modal Rounders. His 1998 appearance on WBAI was his first in 20 years
Vagabond Opera - one of Portland's coolest bands
Vinyl - at the Sweetwater Saloon. SF funk outfit
Zany Umbrella Circus - at the Country Fair.
Radim Zenkl - renowned Czech mandolin innovator
Zazou - Seattle Gypsy jazz band
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